American painting
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Though he was often lumped in with the Pop artists who also rose to prominence in the 1960s, Thiebaud’s sensibility was distinctive, his appeal uniquely enduring
So-called imperfections laid bare at the Philadelphia Museum of Art
The book by Robert Storr delves into the American painter's dealings with Klansmen and how he wanted “to make paintings you couldn’t count money in front of”
Dusti Bongé was an artist who lived and worked in the Deep South and who was a versatile, if little known, artist
Stella discusses a collaboration with the architect Santiago Calatrava in the lead-up to a major retrospective at the Kunstmuseum Wolfsburg
Beyeler exhibition aims to place the artist, who died at 27, high in the canon
On the eve of a show at PaceWildenstein in New York, the veteran US artist discusses the importance of the year he spent with his grandmother when he was eleven
Speaking with the American painter in Basel on colour, geometry, and learning how to see
Treasures from behind the secret door
After 50 years, Morley is still fascinated by the potential of the medium and is not too proud to learn from a “watercolour holiday” on an English barge with amateur artists
Four exhibitions devoted to the Pop pioneer open this November, including a retrospective at the Guggenheim
Damian Loeb’s work relies on the viewer’s recognition of the visual sources that he quotes liberally
Ryman has been painting white on white for more than 50 years. He talks about how his paintings work and which shade of white he uses
The foremost figurative painter of his generation, talks about his passionate commitment to the art
Essenhigh talks about her switch from enamel to oil, the difficulties of making pretty pictures and the ominous undertow of her paintings
Like the Surrealists, Dunham believes that his unconscious dominates him as he works
Thrash deserves to be remembered for more than just his technical inventions
“Making a message; giving a message”