Frescoes
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Exhibition at Palazzo Barberini is the finale of a “momentous” trio of shows bringing the cycle of 16 works back together
Bologna show looks beyond the paintings, preserved by the ash of Mount Vesuvius, to explore Roman society
As shows of her paintings open in the UK and Austria, Jaray reflects on the influence of Piero della Francesca and Brunelleschi on her work across six decades
New examinations of John the Baptist wall paintings in Augsburg cathedral date them to more than 1,000 years ago
Historic photographs and contemporary papers have been used in new book to re-imagine the cycle
The work may make it possible to identify which parts of the frescoes were painted by Giulio Romano, Raphael’s most trusted apprentice
After more than a decade, restoration of the monumental fresco cycle has finally been completed
Conservation efforts have been underway since the Seventies