From Louise Bourgeois at The Jewish Museum to Sam Durant’s High Line Plinth commission

The work is the artist’s first public commission since a controversial installation at the Walker Art Center’s Minneapolis Sculpture Garden

The US artist speaks about his research into historic cases of iconoclastic annihilation

Can art represent the culture of marginalised groups without exploiting them? Jillian Steinhauer investigates

The artist and curator shared what they learned from their 2017 experiences during a College Art Association panel on "censorship"