Andrew Lambirth
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A farewell collection of reviews by the American-born, British art critic
Writings, new and old, by the nonagenarian, Marxist and self-confessed “stop-gap” storyteller
The presentation of painting all too often undermines the nature of true invention
A personal view of Francis Bacon by his Boswell, Michael Peppiatt
There is much to admire in the catalogue raisonné of C.R.W. Nevinson's work
This book is a welcome reinterpretation of Nash for contemporary audiences
The studio as stage, incubator and archive
Despite some factual inaccuracies, this is a refreshing and invigorating presentation that challenges assumptions
A review of the Courtauld Gallery catalogue of Auerbach's early London works and a new monograph by William Feaver
