While auction houses and dealers are increasingly worried of a downturn, a look back to the 1970s and 1980s suggests that their anxieties might be unfounded

Capitalism has gobbled up the art world over the past decade—it is high time for a reset

Jane Kallir explains why, after 80 years as a commercial enterprise, the New York gallery has become a foundation

Worthy causes can often disguise more opportunistic motives

A rush to judgement has resulted in notable errors, with some "Nazi-looted" art having been purchased legally

The process of art attribution has come under attack, with forgery scandals rampant

Today, art history is increasingly being written by dealers and auctioneers to suit their own purpose

The 100th anniversary of Austrian artist’s death has arrived just in time for the #MeToo movement

Following the terrorist attacks in Paris, Beirut and Bamako, and as The Art Newspaper continues its debates in Moscow, the New York gallerist shares her thoughts on art's purpose, originally published after 11 September 2001

There is a danger that money will trump knowledge, observed the New York dealer in 2007