Monetary gain is one reason people create counterfeit heritage—but political power, personal fame or the imposition of beliefs are equally compelling motivations

Opening mega museums is not the only way to exercise soft power in the region

Damien Hirst’s exhibition in Venice this summer is part of a long tradition of counterfeiting history—but the UK artist has added a contemporary twist

Project to repair Anglican building brought Muslims and Christians together

As Cuba opens up to the US, the island’s outstanding Modern architecture faces a new threat

In seeking to carve out our own architectural identity, we are in danger of destroying the precious work of previous generations