This collection of essays questions how we understand the terms Pre-Raphaelite, Pre-Raphaelitism and the Pre-Raphaelite Movement
Twenty Factory regulars look back on the creative freedom that fuelled the New York enterprise, while three art schools are brought under the microscope
Weak dollar and strikes in the capital did not deter buyers
This ambitious project will serve as an archive, allowing unprecedented remote access to information and art
Damien Hirst on world domination, Grayson Perry on turning to tapestry and Anselm Kiefer on why Americans are hysterical
Foreign Secretary uses occasion to praise Muslim contribution to UK
Alan Yentob shines a revealing light on the secretive world of the Warhol Authentication Board
Surgeons and contemporary artists are still inspired by the draughtsmanship of Leonardo and Turner
Damien Hirst has carried on Francis Bacon’s violent legacy of “guts, blood and spunk”, but denies any direct inspiration
Tracey Emin’s new film aroused much excitement in the papers because of scenes of rape and suicide, but not much on screen
The BBC asks whether Lord Elgin's actions could be justified as the spotlight on the Greeks rekindles the Elgin marbles debate, and Channel 4 programme has dealers weigh in on the state of the art market
Excellence? Access? Go to “Gothic”
“Your head is like the loveliest pebble I’ve ever seen” said the sculptor Barbara Hepworth to her second husband, artist Ben Nicholson
Four million viewers tuned in to Alan Yentob’s three-part series on the wonders of Da Vinci
Here’s hoping that they keep their trousers
The Art Newspaper reviews the "Mario Testino, Diana's favourite photographer" (BBC), "Andy Warhol: the complete picture" and the Citibank Private Bank Photography Prize 2002 (Channel 4)
Arts programmes focus on Auerbach—around his exhibition at the National Gallery, in London—and the Tate Surrealism show
Miller and Emin on ITV1’s South Bank Show, plus architecture of the future on Channel 5
The question of whether society gets the art it deserves, or merely what it is prepared to tolerate
"Women and art: Contested territory" and "Great women collectors"