A heavyweight volume exploring Magnum Photos goes in between the contact sheets to celebrate a dying technique
In between the (contact) sheets
Collecting oneself—and a few others besides in the Victoria & Albert Museum Photographic Department
The South African photographer talks about his work, techniques and latest book
Not a study or a technical collection, but works of art for display
Cooper is mapping out a metaphysical space with his images of oceans, forests, rocks and sky
The German photographer compares his serial working method to “a scientist carrying out a series of experiments”
Francis Bacon’s studio (Thames & Hudson, London, 2001), 129 pp, 60 col. ills £14.95 (hb) ISBN 0500510342.
The museum is to deaccession duplicates from its collection
This handsome overview spans the celebrated photographer's entire career
“People often ask how I could pursue such a ‘sad’ subject for so long”
How photographers from 1845 to the present have reflected time
The exhibition includes many highlights from the immense collection
Magnum photographers are among those making the images by which this tragedy will be remembered—but which may also eventually fuel the art market
Clementina, Lady Hawarden, a forgotten precursor of Julia Margaret Cameron, is the subject of this book and of the Victoria and Albert Museum exhibition
Multiple common sense courtesy of Xerox
A Review of Mora's new book on photography
The organisers propose an opposition between “vernacular” and “aesthetic” photography but the images do not allow it
