Arte Povera
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We find out how the London fair went this year, speak to Gabrielle de la Puente and Zarina Muhammad about their new book and to Carolyn Christov-Bakargiev about her new show at the Bourse de Commerce in Paris
Carolyn Christov-Bakargiev delays her retirement to curate Bourse de Commerce show highlighting many artistic firsts
Punctured work is being offered at Sotheby’s New York after 20 years—and could fetch a record for the Italian post-war artist
The Florentine Civic Museums’ depository is part of a trend that is seeing institutions find ways of making more use of their archives
Italian artist, who won Venice’s Golden Lion award in 1990, is subject of a Guggenheim Bilbao retrospective next year
The show curated by Carolyn Christov-Bakargiev will include loans from the Castello di Rivoli
Two years after the death of art critic Germano Celant, who first coined the movement’s name, Arte Povera is making splashes in the city and beyond
Archival materials relate to significant sculptures and installations around Piedmontese region in Italy
Arte Povera sculptor hopes that his donations of hundreds of works on paper will start a dialogue
Critic and curator was also the first to bring together contemporary art and fashion
The 86-year-old Arte Povera pioneer says humanity has reached its limits and must find new ways to live post-pandemic
The intensely private artist won the Golden Lion for lifetime achievement at the 2013 Venice Biennale
The Fondazione Prada exhibition of the Greek-Italian artist has been organised by veteran curator Germano Celant
Major loan show is based on 1985 display of the Italian artist organised by pioneering curator Harald Szeemann
The Italian artist speaks to The Art Newspaper ahead of his major show at Yorkshire Sculpture Park
Also, Meyer Vaisman's grandiose taxidermies and Elaine Strutevant's almost-replicas
An exhibition at the Kunstmuseum will document a movement that shook off the rules of the establishment
He recently added 20 works bought at Frieze NY to his 1,200-strong collection
The Tate and the Walker Art Center collaborate to show Arte Povera 1962 to 1972, from five years before the movement was defined by its impresario, Germano Celant
The sculptures of Louise Nevelson and political paintings of Léon Golub, from the US, the ArtePovera of Alighiero Boetti from Italy, the historic legends of Anselm Kiefer and wax figures of Thomas Schütte, both from Germany
“The museum is like a voodoo fetish, the artist a sorcerer but also a prisoner”