Odd points of view and tense interior scenes feature in an exhibition of small, precious works from early in the artist's career
Rather than sticking to his traditional oeuvre, the show demonstrates how Vuillard embraced stylistic risk-taking and the avant-garde
Art historians go to court in France and the US to reclaim the research they say was stolen from them
The volume aims to be totally immersive, images rooted in their biographical context with detailed annotations
In accordance with a major show alighting at the Royal Academy, Wolseley Fine Arts have arranged a show of his pastels and drawings
The exhibition was brought to fruition with with the input of Galerie Bellier, directed by Jean-Claude Bellier, the godson of Vuillard
A complete picture of the post-Impressionist master that does not shy away from his 20th-century activity
Bonnard, Vuillard, Denis and Roussel are assessed as distinct individuals, brought together by the shared conviction that “There are no paintings, just decoration”
"Nude in the studio" and "Bouquet of flowers" were commandeered by French court officials at the Maastricht fair
The Werner will give visitors a taste of Vuillard in anticipation of the Washington show
Also scheduled is "Passage de l'Image", in which the different ways in which artists have adopted electronic media are charted
A retrospective of this scale could not have happened without Nantes' Musée des Beaux Arts and the Caixa de Pensiones lending their assistance