First World War
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Dix’s war painting The Trench, lost during the Second World War, is in focus at the opening
Covert destruction of Armenian-Christian heritage in Azerbaijan’s autonomous republic of Nakhichevan has been exposed in recently surfaced Cold War spy imagery taken by the US in the 1970s, published here for the first time
The Eikosiphoinissa Manuscript 220 was among hundreds of objects taken from the Kosinitza Monastery by Bulgarian separatist troops in 1917
President Emmanuel Macron chose the German artist for the commission that commemorates the French writer and First World War soldier Maurice Genevoix
Monuments commemorating the First and Second World Wars—mostly built in small towns and villages—are added to Historic England's list of protected places
The first biography of ‘Max’ Gill reveals the versatile talent of an artist who was a master of lettering and murals and a standout mapmaker-artist
Book shows that John Nash was a remarkable artist overshadowed by his elder sibling, Paul
The history of cultural destruction as a propaganda tool
Restoration of the cathedral is due to be completed in 2015
The museum’s archive reveals how air raids threatened the collection and George V intervened to stop the building being requisitioned
“The art world did not stand still between 1914 and 1918”
The project has already documented around 2,000 works
Our pick of the exhibitions commemorating the First World War
Russia sets sights on high-tech war museum without a Marxist-Leninist bias
Visitors to the museum can sample the smell of World War I
The Konstmuseum in Malmö allegedly kept works lent to the gallery before the outbreak of the First World War
Florida International University presents a brilliantly curated tour of the First and Second World Wars
Organised by the Guggenheim Foundation and the Menil Foundation, works presenting the Russian avant-garde's embrace of abstract art will be displayed
Major war artists get a look in too, making this a must see
“Battle lines: Canadian artists in the field, 1917-19” is on show now at Canada House
The Museum of Contemporary History provides historical explanations for why war photographers took the pictures that they did
The progress of Modernism in the Communist States and the response of the French Avant-garde to World War I are examined in these two books
This collection positions Lewis as an “anti-war war artist”