The sisters had access to the late film-maker’s huge archive and focused on a film about the Holocaust which never got made

Anselm Kiefer on leaving his studio of 15 years, the commercialisation of art and why the Holocaust still matters

A Sotheby’s lawyer describes the work of its provenance research team

Two books reveal the complexities involved in restitution

The younger generation has asked tough questions and come up with some answers

A guide on how to best investigate provenance with specific emphasis on the specialist problems of the Holocaust-era, solvable using provenance research

A new exhibition looks at works produced by artists while detained by the Nazis

Christie’s and Sotheby’s to help with provenance research projects

The Imperial War Museum's exhibition is intended as a reminder of past evil

No binding agreements were reached and little effect on restitution is expected

Disputed Degas to go to the Art Institute of Chicago

The Krupps go to war again

8,000 works stored for over forty years in the medieval monastery at Mauerbach

Newly declassified records track the deposit of Nazi assets in Swiss banks—they include references to works of art

Peace was celebrated in Europe fifty years ago. As The Art Newspaper reaches its fiftieth issue this month, we look at the art of a war-torn world

Maus, the highly successful re-telling of the Holocaust, uses mice, cats and pigs as the protagonists