Calle is famous for her examination of people’s personal lives—and her own—in an almost voyeuristic way. But, despite the title of her latest show, 'Overshare', she says her work exposes less than many people do on social media

The Readying the Museum group has created a blueprint to help institutions address inequity within their own walls—and to make the public, rather than trustees, their key priority

The Minneapolis institution has crowdsourced its rehang—which means a lot more than just new configurations of works

It appears the museum’s own employees were unaware of the policy that “parents are free to nurse children wherever”

Exhibitions at Gagosian in New York and National Portrait Gallery in London confirm late photographer’s arrival

As the baby-boomer generation of major donors pulls back or dies off, museums are struggling to attract their heirs’ interest

The Walker Art Center's show brings together work by nearly 100 artists living under communist rule

Noah Horowitz and Vincenzo de Bellis discuss their visions for the global fair brand and its flagship US fair in Miami

The work last seen 50 years ago was thought to have been lost. It will now open an exhibition of the Greek artist's work at the Walker Art Center in Minneapolis

Recovering from controversy, the Walker Art Center has commissioned the Minnesota artist to create a labyrinth-like installation that celebrates the Dakota language as a way to heal the community and the land

US and UK museums have been accused of tokenism, hypocrisy and fake solidarity for rushing to declare support for Black Lives Matter. Where do they go from here?

Museum calls for holding Minneapolis officers accountable for excessive force and treating people of colour with respect

Chicago artist strives for a poetic “resurrection” of African American stories in a solo show in Minneapolis

The changing world of work is central to Turner Prize-winning artist’s new show at the Walker Art Center, Minneapolis

The Minneapolis museum’s former director, Olga Viso, announced her departure a year ago

Can art represent the culture of marginalised groups without exploiting them? Jillian Steinhauer investigates