Bridget Finn, a partner at a Detroit-based gallery and co-founder of one of Brooklyn's legendary DIY spaces, will oversee North America's most important art fair
Noah Horowitz, formerly director Americas of the art fair brand, returns as chief executive following a brief stint at Sotheby's
Is gallery space still worth paying rent for or will Instagram replace it all? Art Basel director Marc Spiegler gives us the answers
Is this new international gallery explosion a good move?
In 2007 we observed that while most are seen as opportunistic shoppers, some are as knowledgeable as museum curators
As the sheer number of annual events continues to grow, fair fatigue has become a common condition
From 99¢ to $9,999,999
The artists have installed a concrete-grey fortification inside the gallery as an anti-war statement
The annual event in Regent’s Park is a new magnet for artists, collectors and dealers
Trends in real estate and the prestige factor have influenced recent preferences in the private market for sculptural works
Spotlight shifts from German artists to their US counterparts as Saatchi, Rubells and others mount exhibitions of their work
After his intention to step down from Basel goes public, Sam Keller discusses the fair's evolution, his legacy, and pastures new at the Beyeler Foundation
Japanese artist and curator may have moved on from his gallerist of 10 years
Galleries across the world are featuring growing numbers of pieces by American artists
The German artist’s work has become a favourite among curators and collectors—but only since his death a decade ago
The opening Bulgari Conversation spoke fondly of the artist who was welcomed with spontaneous applause
Is it time for reform? Murky dealings came to light in 2005 as more collectors began to enter the scene—and brought their cases to court
Curation will be promoted over serendipitous choices by Art Cabinet, a scheme debuting at Art Basel/Miami Beach
Do art critics still matter?
A Frida Kahlo—not for sale—pulled in 180,000 viewers
The Art Newspaper discusses the surrounding points of views
Young financiers want to build a diversified portfolio
Larry Gagosian has just opened a new, 1,400-square-metre space in London. But is such grandeur still necessary?
The market today requires that young artists have global representation, but unless they embrace Warholesque production techniques few can keep pace with the demand this entails
