19th century
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Princeton University's Theodore K. Rabb says more visual materials—not only written records—should be explored
His boundless inventiveness as a painter—and not only—shines through in this ambitious survey
Exhibition at the Musée du Louvre is first major survey of the painter’s work in more than 50 years
The New Realities of 19th-century photography shows key developments in scientific and artistic endeavour
Our most-read story of 2016 was about Facebook's legal battle over the French master's work. Here's why it still causes a stir, 100 years on
Research supports theory that Courtauld’s painting is preparatory sketch for version in the Musée d'Orsay
The 19th-century revision of received perceptions of French Rococo art
150 works produced from 1835 until his death in 1851 will dispel oversimplifications of this later works
The contributions of tobacco heiresses and banking magnates explored
The omission of paintings by the Pre-Raphaelite Brotherhood could be rectified by judicious loans
Photographers began manipulating their work long before the digital era
Libido and lunacy — the obsessions of two artists
Victorian collectors’ pictures back on display
The complete correspondence of the pre-Raphaelite painter and poet has reached the last of its nine volumes
An exhibition catalogue continues the trend of challenging the dour image of Victoria
This collection of essays questions how we understand the terms Pre-Raphaelite, Pre-Raphaelitism and the Pre-Raphaelite Movement
Who said it was all about modernism?
New works on a quartet of women painters and the wives and models of three of the men
Roberto Polo, once the toast of Paris, returns in style
Collectors shunned many 18th- and 19th-century works
Gilbert and George and Mickey Wolfson are among the enthusiastic collectors
The paintings and drawings on show in Perth are on loan from the Tate collection
An exhaustive treatment of the man behind the Great Exhibition, the Victoria and Albert Museum, Prince Albert and much, much more
Why collectors of 19th-century painting are crossing over into photography
Red House, Bexleyheath, to be preserved for the nation
A landmark account of George IV’s decorations and furnishings at Windsor Castle, by Hugh Roberts, who was closely involved in the restoration of many of those interiors following the 1992 fire
A sample of the collector's princely taste
The Vasari of his field, Vever was himself a jeweller—though like Vasari he is better known for his writing
Gilbert Scott’s massive Gothic Revival screen has been restored for £750,000 and goes on public view for the first time in over three decades
A weak exhibition that attempts to survey the Victorian legacy is partially redeemed by the accompanying book