A deep dive into two London shows bringing together key works of the movement, and a spectacular series of tapestries depicting the Battle of Pavia on view in San Francisco
Docents—voluntary educators who are frequently white, of retirement age and middle class—embody the tensions between the status quo and change in US museums
Plus, the Fine Arts Museums of San Francisco gain a major collection of American art and the Rijksmuseum acquires recently restituted silver salt cellars
Research for a forthcoming exhibition at the Legion of Honor museum has led a curator to add three new entries to Botticelli's oeuvre
Exhibition at San Francisco’s Legion of Honor will bring together 27 drawings and reunite Uffizi’s Adoration of the Magi with its preparatory designs for the first time
A Japanese museum made a major purchase during an evening auction that also saw strong results for a diminutive dog portrait and enormous bird statues
Two years after the death of George Floyd, conversations about racism are morphing into lasting policy change
Though many institutions are suffering from serious reductions in revenue, collections expanded via restricted acquisition funds
The artist will show new and recent works that play with San Francisco museum’s Neoclassical architecture and Western roots
No firm date is set amid San Francisco quarantine, but museum is inviting artists to take part and sell their work
The Legion of Honor, which relies heavily on exhibition revenue, hopes to present the show later this spring
After more than a year in his new job, we interview the director about his priorities
Long dismissed for its religiosity, Tissot’s biblical work will be given new context in San Francisco
The leader has been both generous and controversial
The massive work, shown at the 2017 Venice Biennale, re-interprets 19th-century wallpaper depicting native Pacific peoples
From a Modernist community on California's northern coast, to the kimono's continuing influence on international fashion
A new show at the Legion of Honor is the first to focus on the artist's post-Italy years
The still life of fruit and chestnuts, until recently dismissed as a fake, was painted in Paris
Hollein took Campbell's old job as director of the Met