House in London's Kensington includes hundreds of commercial artist Linley Sambourne’s illustrations and cartoons—and (not on view) his pornographic photographs
Leighton House to exhibit the Mexican businessman's collection
Angels and Icons is an important contribution to Pre-Raphaelite studies and a welcome addition to scholarship on post-Medieval stained glass in Britain
The omission of paintings by the Pre-Raphaelite Brotherhood could be rectified by judicious loans
An excellently wrought assessment of the cast of characters that defined the mid-19th century
The complete correspondence of the pre-Raphaelite painter and poet has reached the last of its nine volumes
The Pre-Raphaelites: three down, two to go as Ford Madox Brown joins Rossetti and Holman Hunt as fully documented
This collection of essays questions how we understand the terms Pre-Raphaelite, Pre-Raphaelitism and the Pre-Raphaelite Movement
Recent record prices for the two artists boosted results for 20th-century British works, while Victorian art struggled
London's Hammersmith & Fulham was considering selling the works
Money is needed to ensure the long-term survival of the institution set up by Victorian artist G.F. Watts
Traditional understandings of the brotherhood are addressed, again
Some big collectors have stopped buying and bidders held back
“The Syracusan bride” may be coming home from Australia
The man behind hit musicals such as “Cats” and “The Phantom of the Opera” has been buying Victorian art assiduously for the last 40 years. This month his extraordinary collection goes on public view at the Royal Academy
The show fills the slot of a cancelled exhibition of antiquities on loan from Egypt
The paintings and drawings on show in Perth are on loan from the Tate collection
Hidden in the English countryside, a Victorian time-warp is slowly falling apart
American stockbroker owes in the region of £2 million
This exhibition on the Victorian nude reveals our own obsession with sex
Three books show that the depiction of war in art is as various as other human responses to the phenomenon
Admired by Van Gogh and an enormously successful artist in his lifetime, Herkomer was a polymath and man of action
A book on the social and monetary value of art and how big businessmen became big collectors
This year appears to be the year of the Pre-Raphaelite, with yet another major show on the way
Middle-of-the-range works have maintained their appeal, even as to the kind of collector who bought them when they were painted