While there is no overarching theme, works dealing with the impact of conflict and the legacy of colonialism dominate the tenth edition of the city-wide event this year
Supermarket chain Lidl commissioned a new version of the 15th-century masterpiece
With his first official solo show in 14 years, Banksy left his tag on the Scottish city, home to the mysterious street artist's favourite work of art in the UK
The museum won the prize for its six-year refurbishment and redisplay of one of Scotland's largest art collections, amassed by the late shipping magnate William Burrell
The country-park-based collection has returned with a new mission to create more diverse audiences and abandon preconceptions
Phones will also be banned in the exhibition at the Gallery of Modern Art in Glasgow
Two demonstrators are in police custody after they attached themselves to a 19th-century landscape by Horatio McCulloch at the Kelvingrove Art Gallery
Faith leaders and community groups campaigned to save Glasgow's St Mungo Museum of Religious Art and Life from the risk of permanent closure
Stolen artefacts will be given back to Nigeria, India and a Native American tribe
Six-year modernisation creates more space for one of Scotland's finest art collections, amassed by shipping magnate William Burrell
From neon warnings, to flags and polar bears, artists are highlighting the climate crisis
Plus, Glasgow International festival and Cézanne at MoMA
Summer is coming! And with a cultural cornucopia of delights to enjoy here at home who needs to holiday abroad anyway?
Artists Lina Lapelytė, Paul Maheke and Nina Beier will present new live performance works at Glasgow International contemporary art festival
Exhibitions in Glasgow and Turin explore legacy of Fiat patriarch Gianni Agnelli
Alumni at odds over how to move forward after fire gutted Mackintosh’s masterpiece
Anger as focus turns to cause of blaze that ripped through Charles Rennie Mackintosh’s masterpiece
Imposing open-air work made of African farming fabric opens at New York fair this week
Political considerations, not humane motives or conservation considerations, were behind the Glasgow Museums’ recent return of the Sioux artefact, says former director