Two academics analyse our review of 'Ancient Sculptures' at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, which brought together sculptures from India with those from ancient Egypt, Greece, Rome, and Assyria
Rather than creating another “psychological barrier” to culture, leaders and institutions could be thinking about more fair ways to fund the sector, writes Will Jennings
Responding to a comment piece by the author Simon Jenkins, former Tate curator Simon Wilson says that the institution’s collection is kept in environmentally controlled storage and is mostly made up of works on paper
Timothy Sainsbury says he disagrees with the view that all of the functional parts of the building should be "preserved in aspic"
Architect Edward Jones weighs in on the museum's controversial redevelopment plans
Sadaf Danish, an artist from Afghanistan, had to escape the Taliban but fears for the girls left behind
Artist Ahmed Jahaf speaks out about how the world continues to ignore the crisis in his home country
Vincent’s note to his artist friend Emile Bernard is to be included in an exhibition of the Springer Collection at Madrid’s Thyssen Museum
Vincent writes philosophically about his mental illness, a year after mutilating his ear
Robert B. Simon, the New York dealer who earlier had an interest in the $450m painting, questions our front-page article about a Prado catalogue downgrading the work from a fully authenticated Leonardo
In our series "Dispatches from Afghanistan", we speak to artists and cultural workers about their experiences since the rise of the Taliban
Readers respond to an article about a new publication detailing the founding of the Iranian museum
Debate rages on our Letters pages over whether Elsa von Freytag-Loringhoven was responsible for the famous urinal that is attributed to Duchamp
The official spokesman of the wild-trade monitoring organisation responds to The Art Newspaper's article on the trade in elephant ivory—and we respond to him
Selected correspondence from down the years
Re: Former director of scandal-beset Knoedler Gallery breaks her silence, The Art Newspaper, April 2016
Richard Dorment, Chief art critic at The Daily Telegraph, discusses the works
Joe Roseman, former head of economics at Moore Capital and author of Swag: Alternative Assets for the Coming Decade
“W.M. Rossetti’s letters provide ample evidence that he was the energiser in the Pre-Raphaelites”
The auction took place on 26th January
A letter to the editor
From Glenn D. Lowry, Director of The Museum of Modern Art, New York